third attempt - part 3: K3 Test from Bavaria, translation draft, very long

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third attempt - part 3: K3 Test from Bavaria, translation draft, very long

dj7mgq
Somehow the two tries didn't work....


Hi,

for those who do not speak German, the below is the text of my current
draft of the translation of our K3 test report.

The English version includes a few things which are not in the German
version yet. Also to see the tables and graphs, please download the
German version <http://www.bavarian-contest-club.de/news/26,697.html>.

Enjoy...

vy 73 de toby


<< part 3 >>


5) The Proud Owner

by Toby Deinhardt, DD5FZ

5.0) Introduction

Here ends the translation of the German 1.0 version of the test. I would
like to use this chance to thank Ben and Matthias for the time and
effort it took to write about their impressions. This was one of the
reasons I ordered my K3 very early, because my gut told me, this was
going to be a very interesting radio, and worth taking a close look at
within the Bavarian Contest Club <http://www.bavarian-contest-club.de/>.

Also, I wanted to have a good radio for myself.

You may wonder why I refer to this as version 1.0. The three of us hope
during the next several weeks to add further measurements and new
insights as we gain experience using the K3 in the upcoming major
contests. At the present time, we plan for Ben and Matthias, both
excellent CW operators, to be in the CQWWDX 160m contest and I plan to
use the K3 in RTTY WPX, which should interesting. My last RTTY QSO is at
least 20 years in the past. Also at least one of us, using the K3, will
be QRV during CQ 160m SSB, ARRL International DX, Russian DX etc.
contests. In other words, as the K3 firmware evolves and we learn more
about the radio, we will be updating this document.

5.1) The K3 Configuration

My K3 during the tests for version 1.0 had the following configuration:

K3/100    100W Transceiver (Modular Kit) with standard TCXO
KAT3        Internal ATU with 2nd Ant. Jack
KFL3A-400    400 Hz, 8-pole roofing filter
KFL3A-1.8K    1.8 kHz, 8-pole roofing filter
KFL3A-2.1K    2.1 kHz, 8-pole roofing filter
KFL3A-2.7K    2.7 kHz, 5-pole filter (standard filter included with the K3)
KFL3A-6K    6 kHz, 8-pole roofing filter
KXV3        Transverter Interface w/ RX Ant. I/O

The firmware was updated more than once during the test period, so some
of the comments in this document may be referring to features or bugs
which have since been fixed or changed.

I still have the following items on back order or have not installed
them yet:

KBPF3        General Coverage RX Front End Filters
KRX3        High Performance Subreceiver
KFL3A-400    400 Hz, 8-pole roofing filter (for the KRX3)
KFL3A-1.8K    1.8 kHz, 8-pole roofing filter (for the KRX3)
KFL3A-2.1K    2.1 kHz, 8-pole roofing filter (for the KRX3)
KFL3A-2.7K    2.7 kHz, 5-pole filter (standard filter included with the
KRX3)
KFL3B-FM    FM b/w, 8-pole roofing filter
KDVR3        Digital Voice Recorder

The final configuration will see the KBPF3 installed on the secondary RX
and I will move the 6kHz filter from the main to the secondary receiver,
allowing me to install the FM filter in the main RX.

There has been much discussion on the Elecraft reflector over the last 9
months about which configurations make sense and which do not. Mostly
this has dealt with which roofing filters are needed. Briefly, my
configuration was based upon the following thoughts:

- As my landlord does not allow the installation of any antennas, I
often operate from vacation QTHs such as 5B, SV, 4O, CU etc. The fewer
boxes needed the easier the journey. In the past my K2s have mostly
performed very well in this role.

- I am and never was very good at CW. The frustration of practicing with
a computer for an admittedly wonderful mode which I could not use on a
daily basis (see above) made me eventually stop. This means most of my
operation is in SSB.

- I actually enjoy SSB contesting!

- When traveling, I wanted to have good AM reception of international
broadcasters.

- In the past one aspect of the TS-850 which has been a real
disadvantage is the lack of a second RX, especially when working NA and
EU at the same time on 40m and 80m.

I know that some my readers will feel that installing 1.8kHz and 2.1kHz
in the K3 is overkill and will not bring any real improvement. This may
or may not be correct, but my experience has been, every tiny little bit
helps when fighting it out in the european zoo on 40m during large
contests. Even if the advantage is mainly psychological, I suspect that
this will still mean a few QSOs more on 40 with both filters. QSOs,
which wouldn't have been possible with only one.

When considering which filters to install in a K3, remember that the
main selection takes place in the DSP and the roofing filters are there
to protect the ADC, IF amps and second mixer, which by the way is not a
high end mixer like the first mixer. These means low distortion and the
first 30 or so dBs are important, and not so much the ultimate rejection.

5.1) The K3 Build

I am writing this several weeks after the build, so the details may be hazy.

I bought the K3 as a so called no solder kit. This means no solder to
melt, no torroids to wind, no burnt fingers (always brings me luck when
building things... hi) and almost nothing to align. It also means about
a hundred things to screw together, plugging things into each other,
searching for small bits and pieces (this hasn't changed) and a much
shorter build time.

My K3 arrived exactly 200 days, almost to the hour, after my initial fax
to Elecraft. That evening I went from work directly to DK0MN, our club
station in Munich <http://www.darc-c12.de/>. By the way, my box was
brown and not white.

I quickly unpacked everything, and, with boxes in boxes and much
padding, found no damage. Because I had read the construction manual
several times before the K3 had arrived
<http://www.elecraft.com/K2_Manual_Download_Page.htm#K3>, I immediately
started to build the K3. I tend to think that inventories are for
sissies and up to now Elecraft's track record was very good.

The quality of the boards is top notch, a feast for the eyes and things
were going along well. The assembly manual was just the thing for
mechanical klutzes like myself. Yep, I was zipping along, reading the
fortune cookies (the small bags with parts and a piece of paper saying
this assembly was done by ...) and being amazed that so many bits and
pieces were evolving quickly into a cool radio, when, all of a sudden,
the manual wants me to install the TCXO.

Now, I knew I had seen the fortune cookie with TXCO board, and it was
where I had left it, but, that's funny, no TXCO in the bag, only the board.

**PANIC**

Oh my god, I've lost one of the most important parts. After about an
hour of searching a 5m x 4m room, I concluded that Elecraft had actually
made a mistake. A short telephone call with Scott in Aptos and an email
later my TXCO was in the mail. Kudos for the quick reaction. But it gets
worse. The next morning (Friday) on my way to work, sitting in the
subway, I was doing a sissy thing, a mental inventory, when I realized
that I had not seen my KBPF3 anywhere. Another email was sent to
Elecraft informing them, there was the possibility that another part was
missing. On Saturday, back to DK0MN, spend another hour or so searching,
confirm that Elecraft had also forgotten to ship this and return home
feeling a bit miffed.

However when I turn on my computer, I find the following in a mail from
Elecraft: "I sent the KBPF3 yesterday. I know you weren't sure, but when
I checked the paperwork here it look likely it was missing so rather
than delay over the weekend I went ahead and sent it so that you could
have it."

They actually sent me a replacement for a part which only might have
been missing! I thinks this says a lot about a company and how seriously
they take customer support.

As soon as this missing parts arrived, it took about a week, I finished
the assembly of my K3.

On the whole the construction went without a hitch but could have been
more streamlined, which by the way has been improved in the newer
versions of the manual. There were no glaring errors and when Elecraft
says something might be a tight fit, they really mean it; I was worried
I was going to damage my main board while installing the 100W PA. It is
also worth noting that the number wires which have to installed is
minimal, leading to a very tidy inside appearance.

5.2) K3 Gripes

Most of these are on Elecrafts to do list and will be fixed "soon".

- You can not use more than one audio input at a time. A bummer when you
want to work with an external voice keyer. This is currently being
worked on in Aptos.

- The missing band syndrome. More about this later (see part 6).

- Lousy KUSB drivers. I had at lot of problems updating the firmware and
with WinTest using the old drivers. If you order the KUSB, which is a
very nice USB to serial interface, then do not use drivers on the CD! Go
to the Prolific website and get the newest drivers
<http://www.prolific.com.tw/>. Elecraft also now recommends this. The
CD, by the way, is one of those miniature CDs which many drives can not
handle.

- I also have the feeling that the SSB modulation could be "more
powerful", but have not taken enough time to try enough settings of the
TX equalizer, compression, mic gain, etc. On the other hand, it appears
impossible to make the K3 sound "bad". But, on the other other hand, a
tiny bit of "badness" during contests is not that bad.

- My old MH2 microphone does not work well with the K3. When I push the
PTT there is a very short noise spike with a very high tone. It takes
the ALC several seconds to recover from this. According to Gary from
Elecraft, they wanted to look into this, and I have not tried using this
microphone since November, so this might be fixed now. With my headset
and foot switch this has never happened.

- I wish Elecraft had not moved the AF gain knob. It does take a bit of
getting used to. Originally the AF gain was below the RF gain, instead
of the other way round. By the way, many of the pictures of the K3,
including the one in this document, are from prototypes before the knob
switch occurred.

5.3) K3 Praise

- The radio is easy to use and if you come from a K2, the tap and hold
philosophy and the radio itself are almost instantly understandable.
Nonetheless, it is well worth your while to study the manuals.

- The RX is eerily silent. I have always found the TS-850 very tiring
because of the high level of audio noise. This also applies to many
other radios by Kenwood and Yaesu. I have not used many ICOMs so I can
not make a comparison to their radios. This was a big plus during the
ARRL 10m contest here in Germany. The conditions were terrible and the
signals very weak. With tired ears I could not have worked some of the
stations I did work. The K2 is also an ear friendly radio.

- Continuous bandwith, shift, low- and high-cut filter tuning is just
plain cool. Especially when it works as well as it does in the K3.

- The DSP code does not sound like many digital radios: No artifacts and
almost like a really good analog sound.

- I actually had a CW QSO during Stew Perry! I know that for most of you
this does not sound special, but for me it was. It was a great idea to
add various decoders to the firmware.


6) Elecraft says

Wayne, N6KR and chief designer of the K3, knew that we were working on
this report, and asked me to give him a chance to see the report at an
early stage, so that he could point out errors, fix anything which might
be broken and make comments. I have been glad to do this. The below is a
summary, at time paraphrased by myself, of some of our discussions.



Wayne: We've also developed a couple of simple hardware modifications
that you will probably want to add to any test unit. One corrects the
"soft" keying in CW mode. The other increases the onset point of
hardware AGC, which can help when you're using a DSP bandwidth that's
narrower than the crystal filter.

Toby: We will be doing these modifications and we will add our results
to this report.



Wayne: The K3 has a fairly low-gain preamp. It is designed to improve
MDS to -136 dBm or better without compromising dynamic range any more
than necessary. Your later tests show that it is working as intended. I
should mention that we also have an external K3 6-meter preamp product
in the testing phase right now. It attaches directly to the RX ANT IN
and OUT jacks, which can be selected on a per-band basis. It improves
6-meter MDS to better than -142 dBm.



Matthias: Phase noise is very difficult measure accurately with a hobby
laboratory.....

Wayne: I suspect the hump near 10 kHz is a byproduct of test equipment.
In all of our tests, phase noise decreases monotonically, reaching a
limit of better than -150 dBc/Hz. If you have a synthesizer module you'd
like us to test, feel free to send it to us.

Wayne: Eric, just in case, I think we should arrange a synth module
swap. This is important because low phase noise is a hallmark of the K3
and one reason for the excellent dynamic range.

Matthias: Before swapping the module, I'll ask at work. We have a fairly
new phase noise measurement system and I might be able to use it to
check the present synthesizer directly.



Ben: Pushing the Band Up and Band Down buttons does not always bring one
to the next amateur radio band...

Toby: The missing band syndrome...

Wayne: I'm surprised that this occured. Recent firmware revisions should
have cleaned up this behavior in general. There are still some issues
remaining in wide-range tuning of the VFOs, and I'm working on those. I
suggest you use FREQ ENT to re-set the VFOs within each ham band, and to
load the latest firmware.





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Weak SSB

Julian, G4ILO
Both Toby and onee of his colleagues make the point that the K3 SSB is not as "strong" as it could be.

I don't use SSB much, as SSB using QRP and limiteed antennas can be a frustrating exercise. Nevertheless when I used my K2 I was always surprised by the results and felt it punched well above its weight.

When setting the mic gain and compression on the K3 I felt that it did not push the needle on the power meter as far as the K2 did.

However my initial experiences would suggest that there is not that much wrong with it. There was an SSB contest today and I worked a number of stations and in very few cases was I asked to repeat anything. I was even more impressed when I realised that after manually reducing the power to tune up with the external tuner I had forgotten to wind it back up again so I had made some contacts using 5W instead of 12W and hadn't even realised it! I think that's what they call "mojo"!
Julian, G4ILO. K2 #392  K3 #222 KX3 #110
* G4ILO's Shack - http://www.g4ilo.com
* KComm - http://www.g4ilo.com/kcomm.html
* KTune - http://www.g4ilo.com/ktune.html
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Re: Weak SSB

WILLIS COOKE
You need to consider that they are comparing the K3 to
a Kenwood TS-850SAT which has more punch than almost
any other transceiver.  The TS-850 has a system called
High Boost which shapes the audio to put more power
into the higher audio frequencies and a very good
speech processor.  I don't have a K3 yet but I
speculate that with the audio shaping features the
TS-850 can be duplicated by setting the bass low and
the treble high.

The TS-850SAT is a favorite of SSB contesters because
of this audio out of the box and a receiver which is
better than most.  It does not say anything against
the K3 that the Bavarian Contesters and others
including myself have stretched the use of our TS-850s
to nearly 20 years while we waited for someone to
develop the Elecraft K3.
 
--- G4ILO <[hidden email]> wrote:

>
> Both Toby and onee of his colleagues make the point
> that the K3 SSB is not as
> "strong" as it could be.
>

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RE: Weak SSB

Greg - AB7R
You can also use the TX EQ to shape the TX audio on the K3.  You can cut the
lows to give more punch on the higher frequencies.

73
Greg
AB7R


-----Original Message-----
From: [hidden email]
[mailto:[hidden email]]On Behalf Of WILLIS COOKE
Sent: Saturday, January 19, 2008 3:50 PM
To: G4ILO; [hidden email]
Subject: Re: [Elecraft] Weak SSB


You need to consider that they are comparing the K3 to
a Kenwood TS-850SAT which has more punch than almost
any other transceiver.  The TS-850 has a system called
High Boost which shapes the audio to put more power
into the higher audio frequencies and a very good
speech processor.  I don't have a K3 yet but I
speculate that with the audio shaping features the
TS-850 can be duplicated by setting the bass low and
the treble high.

The TS-850SAT is a favorite of SSB contesters because
of this audio out of the box and a receiver which is
better than most.  It does not say anything against
the K3 that the Bavarian Contesters and others
including myself have stretched the use of our TS-850s
to nearly 20 years while we waited for someone to
develop the Elecraft K3.

--- G4ILO <[hidden email]> wrote:

>
> Both Toby and onee of his colleagues make the point
> that the K3 SSB is not as
> "strong" as it could be.
>

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Re: Weak SSB

dj7mgq
Hi,

Willis:
 > You need to consider that they are comparing the K3
 > to a Kenwood TS-850SAT which has more punch than almost
 > any other transceiver. ...
 > ... The TS-850SAT is a favorite of SSB contesters
 > because of this audio out of the box ...

Greg:
 > You can also use the TX EQ to shape the TX audio on
 > the K3. You can cut the lows to give more punch on
 > the higher frequencies.


I wrote:

 > I also have the feeling that the SSB modulation could
 > be "more powerful", but have not taken enough time to
 > try enough settings of the TX equalizer, compression,
 > mic gain, etc. On the other hand, it appears impossible
 > to make the K3 sound "bad". But, on the other other hand,
 > a tiny bit of "badness" during contests is not that bad.

Maybe I was not clear enough that the jury is still out on this. Up to
now I haven't found the right combination of settings, which is not say
that they do not exist. With the neutral - out of the box - settings the
modulation of the K3 is very clean and very nice, but not exactly what
you are looking for in a contest situation.

vy 73 de toby
--
DD5FZ (ex 4n6fz, dj7mgq, dg5mgq, dd5fz)
K2/10  #885
K2/100 #3248
K3/100 #67
DOK C12, BCC, DL-QRP-AG, JN58td
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K3 Microphone options

Julian, G4ILO
Toby Deinhardt wrote
Maybe I was not clear enough that the jury is still out on this. Up to
now I haven't found the right combination of settings, which is not say
that they do not exist. With the neutral - out of the box - settings the
modulation of the K3 is very clean and very nice, but not exactly what
you are looking for in a contest situation.
I have been doing some experimentation this morning and have come to the conclusion that even the DSP can't make a silk purse out of a sow's ear. To have the best possible audio one probably needs one of those Heil microphones.

I don't like fist mics or headsets so I'm not interested in Elecraft's two offerings. Nor do I want something that looks like it belongs in a BBC studio. Does anyone know what extra bits are needed to attach a Heil HM-10 Dual to a CB-1 PTT base so that the mic is angled towards the operator and adjustable (in the manner of the Kenwood MC-50/60 if you know what those are like)? I guess I'd have to wire up my own cable since Heil don't make any Elecraft cables.

Alternatively has anyone tried the Adonis desk mic with the ceramic insert on a K3? I have the electret version and that may account for my audio sounding a bit "muddy". The ceramic one is supposed to have some treble emphasis so it might do the job.
Julian, G4ILO. K2 #392  K3 #222 KX3 #110
* G4ILO's Shack - http://www.g4ilo.com
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Re: K3 Microphone options

WILLIS COOKE
I have a Heil HC4 mike on my headset and all it would
take is a tie-wrap or a piece of tape. It is just a
piece of 1/8 tubing with a mike on one end and a cord
through the middle with a mic connector on the end.
But I like the HC10 headset that goes with it.  I
don't have a K3 to use it with yet, but it does a
super job with my TS-850

--- G4ILO <[hidden email]> wrote:

>
>
> Toby Deinhardt wrote:
> >
> > Maybe I was not clear enough that the jury is
> still out on this. Up to
> > now I haven't found the right combination of
> settings, which is not say
> > that they do not exist. With the neutral - out of
> the box - settings the
> > modulation of the K3 is very clean and very nice,
> but not exactly what
> > you are looking for in a contest situation.
> >
> I have been doing some experimentation this morning
> and have come to the
> conclusion that even the DSP can't make a silk purse
> out of a sow's ear. To
> have the best possible audio one probably needs one
> of those Heil
> microphones.
>
> I don't like fist mics or headsets so I'm not
> interested in Elecraft's two
> offerings. Nor do I want something that looks like
> it belongs in a BBC
> studio. Does anyone know what extra bits are needed
> to attach a Heil HM-10
> Dual to a CB-1 PTT base so that the mic is angled
> towards the operator and
> adjustable (in the manner of the Kenwood MC-50/60 if
> you know what those are
> like)? I guess I'd have to wire up my own cable
> since Heil don't make any
> Elecraft cables.
>
> Alternatively has anyone tried the Adonis desk mic
> with the ceramic insert
> on a K3? I have the electret version and that may
> account for my audio
> sounding a bit "muddy". The ceramic one is supposed
> to have some treble
> emphasis so it might do the job.
>
> -----
> Julian, G4ILO  K3 s/n: 222 K2 s/n: 392
> G4ILO's Shack: www.g4ilo.com
> Zerobeat Ham Forums: www.zerobeat.net/smf
> --
> View this message in context:
>
http://www.nabble.com/third-attempt---part-3%3A-K3-Test-from-Bavaria%2C-translation-draft%2C-very-long-tp14973923p14982213.html

> Sent from the Elecraft mailing list archive at
> Nabble.com.
>
> _______________________________________________
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>
>
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> Elecraft web page: http://www.elecraft.com
>

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Re: K3 Microphone options

Ken Kopp
In reply to this post by Julian, G4ILO
Julian,

I have a Heil TB-1 for my Goldline.  I -think- it
meets your needs if I read you correctly.

The K3 is configured for Kenwood mics, so a
Heil "Kenwood" cable should do the trick.

73! Ken Kopp - K0PP
[hidden email]

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RE: K3 Microphone options

Joe Subich, W4TV-3
In reply to this post by Julian, G4ILO


> Does anyone know what extra bits are needed to attach a Heil
> HM-10 Dual to a CB-1 PTT base so that the mic is angled towards
> the operator and adjustable (in the manner of the Kenwood MC-50/60
> if you know what those are like)?

You should not need any extra "bits."  From the Heil web site,
"Each HM-10 Dual is shipped with a microphone clip and foam
wind-screen.  The microphone clip should be treaded 5/8 x 24
to mate with the stud on the CB-1 base.  

If you want the "deluxe" version, the SM-1 shock mount will also
attach to the stud on the CB-1 base.  

I would be concerned whether the HM-10 Dual will work well from  
the typical "desk distance" instead of being hand held and
worked more closely.  

I guess I'd have to wire up my own cable since Heil don't make any
> Elecraft cables.

The Heil CC-1K cable will work with the HM-10 dual as long as you
keep the bias turned off in the K3.  

73,

   ... Joe, W4TV
 




> -----Original Message-----
> From: [hidden email]
> [mailto:[hidden email]] On Behalf Of G4ILO
> Sent: Sunday, January 20, 2008 9:25 AM
> To: [hidden email]
> Subject: [Elecraft] K3 Microphone options
>
>
>
>
> Toby Deinhardt wrote:
> >
> > Maybe I was not clear enough that the jury is still out on
> this. Up to
> > now I haven't found the right combination of settings,
> which is not say
> > that they do not exist. With the neutral - out of the box -
> settings the
> > modulation of the K3 is very clean and very nice, but not
> exactly what
> > you are looking for in a contest situation.
> >
> I have been doing some experimentation this morning and have
> come to the
> conclusion that even the DSP can't make a silk purse out of a
> sow's ear. To
> have the best possible audio one probably needs one of those Heil
> microphones.
>
> I don't like fist mics or headsets so I'm not interested in
> Elecraft's two
> offerings. Nor do I want something that looks like it belongs in a BBC
> studio. Does anyone know what extra bits are needed to attach
> a Heil HM-10
> Dual to a CB-1 PTT base so that the mic is angled towards the
> operator and
> adjustable (in the manner of the Kenwood MC-50/60 if you know
> what those are
> like)? I guess I'd have to wire up my own cable since Heil
> don't make any
> Elecraft cables.
>
> Alternatively has anyone tried the Adonis desk mic with the
> ceramic insert
> on a K3? I have the electret version and that may account for my audio
> sounding a bit "muddy". The ceramic one is supposed to have
> some treble
> emphasis so it might do the job.
>
> -----
> Julian, G4ILO  K3 s/n: 222 K2 s/n: 392
> G4ILO's Shack: www.g4ilo.com
> Zerobeat Ham Forums: www.zerobeat.net/smf
> --
> View this message in context:
> http://www.nabble.com/third-attempt---part-3%3A-K3-Test-from-B
avaria%2C-translation-draft%2C-very-long-tp14973923p14982213.html
Sent from the Elecraft mailing list archive at Nabble.com.

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