KX3 CW Key Sluggish Response

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KX3 CW Key Sluggish Response

wb2ssb
My KX3 is behaving unusually this morning, so much so that I cannot use it for CW.  The first character is beginning, I don't know, about ½ a second delayed from when I press the paddle (both dit or dah), causing just enough confusion in my brain to obviate my sending readable cw.  It's not the paddle itself; the behavior is consistent even using my  Begali outboard key.  Adjusting the QSK delay makes no difference (really didn't expect it to as that delay is the 'hang time', not the start time).  Any suggestions would be welcomed and appreciated.

Thanks

Joe - WB2SSB

Joseph Sanger, M.D.
Associate Professor of Radiology
Director, Radiology Informatics
(212) 263-3434

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KX3 CW Key Sluggish Response

wb2ssb
My KX3 is behaving unusually this morning, so much so that I cannot use it for CW (I normally send at about 25-30 WPM; I now cannot send more than about 12 WPM).  The first character is beginning, I don't know, about ½ a second delayed from when I press the paddle (both dit or dah) and extra dits/dahs seem to occur beyond when I stop pressing the paddle, causing enough confusion in my brain to obviate my sending readable cw.  It's not the paddle itself; the behavior is consistent even using my  Begali outboard key.  Adjusting the QSK delay makes no difference (really didn't expect it to as that delay is the 'hang time', not the start time).  I don't take advantage of iambic modes (although the mode selected is 'A').  Any suggestions would be welcomed and appreciated.

I should add that I just updated the unit to the latest firmware: MCU 1.12 / DSP 0.94, but the problem's relation to this may or may not be significant.
Thanks

Joe - WB2SSB

Joseph Sanger, M.D.
Associate Professor of Radiology
Director, Radiology Informatics
(212) 263-3434

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Re: KX3 CW Key Sluggish Response

wb2ssb
Well, I just figured out the 'problem' with the delayed response of keying the KX3 rig .... I'm LOL'ing.

I have been playing with a Bluetooth transmitter / headphone on the device ... the audio sounds GREAT .... and it's really a pleasure not to be tethered to the unit .... but ...

Well, I guess you can figure out the rest.  There is a slight delay in the arrival of the keyed tones to the headphone relative to my pressing the key ... destroying my ability to produce readable code.

I am a bit red-faced ... but appreciative of those who offered help.

:-/

Joe - WB2SSB

-----Original Message-----
From: [hidden email] [mailto:[hidden email]] On Behalf Of Sanger, Joseph
Sent: Saturday, September 01, 2012 9:13 AM
To: <[hidden email]>
Subject: [Elecraft] KX3 CW Key Sluggish Response

My KX3 is behaving unusually this morning, so much so that I cannot use it for CW (I normally send at about 25-30 WPM; I now cannot send more than about 12 WPM).  The first character is beginning, I don't know, about ½ a second delayed from when I press the paddle (both dit or dah) and extra dits/dahs seem to occur beyond when I stop pressing the paddle, causing enough confusion in my brain to obviate my sending readable cw.  It's not the paddle itself; the behavior is consistent even using my  Begali outboard key.  Adjusting the QSK delay makes no difference (really didn't expect it to as that delay is the 'hang time', not the start time).  I don't take advantage of iambic modes (although the mode selected is 'A').  Any suggestions would be welcomed and appreciated.

I should add that I just updated the unit to the latest firmware: MCU 1.12 / DSP 0.94, but the problem's relation to this may or may not be significant.
Thanks

Joe - WB2SSB

Joseph Sanger, M.D.
Associate Professor of Radiology
Director, Radiology Informatics
(212) 263-3434

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Re: KX3 CW Key Sluggish Response

N3PSJ-2
Glad you shared.   I had been thinking about using a bluetooth headphones,
but I will avoid them now.

Ken KE3C

On Sat, Sep 1, 2012 at 4:38 PM, Sanger, Joseph <[hidden email]>wrote:

> Well, I just figured out the 'problem' with the delayed response of keying
> the KX3 rig .... I'm LOL'ing.
>
> I have been playing with a Bluetooth transmitter / headphone on the device
> ... the audio sounds GREAT .... and it's really a pleasure not to be
> tethered to the unit .... but ...
>
> Well, I guess you can figure out the rest.  There is a slight delay in the
> arrival of the keyed tones to the headphone relative to my pressing the key
> ... destroying my ability to produce readable code.
>
> I am a bit red-faced ... but appreciative of those who offered help.
>
> :-/
>
> Joe - WB2SSB
>
> -----Original Message-----
> From: [hidden email] [mailto:
> [hidden email]] On Behalf Of Sanger, Joseph
> Sent: Saturday, September 01, 2012 9:13 AM
> To: <[hidden email]>
> Subject: [Elecraft] KX3 CW Key Sluggish Response
>
> My KX3 is behaving unusually this morning, so much so that I cannot use it
> for CW (I normally send at about 25-30 WPM; I now cannot send more than
> about 12 WPM).  The first character is beginning, I don't know, about ½ a
> second delayed from when I press the paddle (both dit or dah) and extra
> dits/dahs seem to occur beyond when I stop pressing the paddle, causing
> enough confusion in my brain to obviate my sending readable cw.  It's not
> the paddle itself; the behavior is consistent even using my  Begali
> outboard key.  Adjusting the QSK delay makes no difference (really didn't
> expect it to as that delay is the 'hang time', not the start time).  I
> don't take advantage of iambic modes (although the mode selected is 'A').
>  Any suggestions would be welcomed and appreciated.
>
> I should add that I just updated the unit to the latest firmware: MCU 1.12
> / DSP 0.94, but the problem's relation to this may or may not be
> significant.
> Thanks
>
> Joe - WB2SSB
>
> Joseph Sanger, M.D.
> Associate Professor of Radiology
> Director, Radiology Informatics
> (212) 263-3434
>
> ______________________________________________________________
> Elecraft mailing list
> Home: http://mailman.qth.net/mailman/listinfo/elecraft
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> This list hosted by: http://www.qsl.net
> Please help support this email list: http://www.qsl.net/donate.html______________________________________________________________
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Ken Nicely (N3PSJ)
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Re: KX3 CW Key Sluggish Response

wb2ssb
Works great for listening though!

:-/



From: Ken Nicely [mailto:[hidden email]]
Sent: Saturday, September 01, 2012 06:04 PM
To: Sanger, Joseph
Cc: <[hidden email]> <[hidden email]>
Subject: Re: [Elecraft] KX3 CW Key Sluggish Response

Glad you shared.   I had been thinking about using a bluetooth headphones, but I will avoid them now.

Ken KE3C

On Sat, Sep 1, 2012 at 4:38 PM, Sanger, Joseph <[hidden email]<mailto:[hidden email]>> wrote:
Well, I just figured out the 'problem' with the delayed response of keying the KX3 rig .... I'm LOL'ing.

I have been playing with a Bluetooth transmitter / headphone on the device ... the audio sounds GREAT .... and it's really a pleasure not to be tethered to the unit .... but ...

Well, I guess you can figure out the rest.  There is a slight delay in the arrival of the keyed tones to the headphone relative to my pressing the key ... destroying my ability to produce readable code.

I am a bit red-faced ... but appreciative of those who offered help.

:-/

Joe - WB2SSB

-----Original Message-----
From: [hidden email]<mailto:[hidden email]> [mailto:[hidden email]<mailto:[hidden email]>] On Behalf Of Sanger, Joseph
Sent: Saturday, September 01, 2012 9:13 AM
To: <[hidden email]<mailto:[hidden email]>>
Subject: [Elecraft] KX3 CW Key Sluggish Response

My KX3 is behaving unusually this morning, so much so that I cannot use it for CW (I normally send at about 25-30 WPM; I now cannot send more than about 12 WPM).  The first character is beginning, I don't know, about ½ a second delayed from when I press the paddle (both dit or dah) and extra dits/dahs seem to occur beyond when I stop pressing the paddle, causing enough confusion in my brain to obviate my sending readable cw.  It's not the paddle itself; the behavior is consistent even using my  Begali outboard key.  Adjusting the QSK delay makes no difference (really didn't expect it to as that delay is the 'hang time', not the start time).  I don't take advantage of iambic modes (although the mode selected is 'A').  Any suggestions would be welcomed and appreciated.

I should add that I just updated the unit to the latest firmware: MCU 1.12 / DSP 0.94, but the problem's relation to this may or may not be significant.
Thanks

Joe - WB2SSB

Joseph Sanger, M.D.
Associate Professor of Radiology
Director, Radiology Informatics
(212) 263-3434<tel:%28212%29%20263-3434>

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Re: KX3 CW Key Sluggish Response

Bill Frantz
In reply to this post by wb2ssb
Thanks for telling us about this "feature".

I remember one of the jokes we played on announcers at the
collage radio stations. We would set up a short delay with a 3
head tape recorder and patch it into the audio line when the
record stopped. The DJ would then hear his voice delayed by
about 1/2 second. The universal reaction was to tear off the
headphones, finish speaking, start a new record, and come
looking for us.

Cheers - Bill, AE6JV

On 9/1/12 at 13:38, [hidden email] (Sanger, Joseph) wrote:

>Well, I guess you can figure out the rest.  There is a slight
>delay in the arrival of the keyed tones to the headphone
>relative to my pressing the key ... destroying my ability to
>produce readable code.

---------------------------------------------------------------------------
Bill Frantz        |"After all, if the conventional wisdom was
working, the
408-356-8506       | rate of systems being compromised would be
going down,
www.pwpconsult.com | wouldn't it?" -- Marcus Ranum

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PsychoAcoustics and Delay

Jim Brown-10
On 9/1/2012 5:58 PM, Bill Frantz wrote:
> Thanks for telling us about this "feature".

Psychoacoustics is the study of the human perception of sound, and its
practitioners are a part of the Acoustical Society of America, of which
I am a member. The discipline is quite well developed, and what these
folks had learned as early as 1850 formed the basis of modern stereo
sound recording and reproduction.  One of the earliest scientists was
Joseph Henry, inventor of voltmeters and motors, whose name is on the
unit of inductance.

Sound system professionals have had to deal with electrical delay
resulting from digital signal processing (called "latency") since the
early '90s, when DSP came into widespread use in large sound systems,
and with acoustic delay that results from "time of flight" of sound from
live musicians on stage and big loudspeaker systems at considerable
distance (and height) from the musicians. Indeed, managing these delays
is a critical part of sound system design, especially in large spaces
and venues.

When listening to a reproduction of our own voice, the human ear/brain
can tolerate delays up to about 60msec, but begins having fatigue with
much more than about 50 msec, and begins having serious trouble speaking
with a delay more than about 80-90 msec.  As a pro audio engineer doing
a LOT of live sound, I've seen VERY experienced announcers turn to silly
putty with 100 msec.  Musicians start having issues with tempo with
delays much more than 30-40 msec, which is why stage monitors have to be
so bloody loud!

A common real world example is a "star" singing the Anthem at home
plate, with an acoustic delay of 120-150 msec through the sound system
to the singer's ears.  The solution is simple -- we give the singer
undelayed sound from his/her mic into headphones or a big monitor
speaker directly in front of them.

I don't know of any studies relating to delays and our ability to send CW.

73, Jim K9YC
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Re: PsychoAcoustics and Delay

Joe Subich, W4TV-4

 > I don't know of any studies relating to delays and our ability to
 > send CW.

Empirically the issue starts to become noticeable when the delay is
more than an element (dit/dah) and certainly becomes critical when
the delay is a substantial part of a letter.  Just like the "soloist"
and the National Anthem, the solution is to provide undelayed sidetone
from the keyer rather than an off air monitor or RF derived sidetone.

BTW, another place acoustic/DSP delays have become an issue is with
live TV news.  In the old days we used off-air analog signals or
analog cell-phones for "IFB" (interruptable fold back) but with the
advent of digital cellular systems and digital broadcasting, the delays
are well in excess of the "magical" 150 - 200 ms threshold.  For TV
applications, the solution is to provide "mix minus" - that is the
program feed *without* the reporter's own voice - so the reporter
can interact normally with other participants.

73,

    ... Joe, W4TV


On 9/1/2012 11:57 PM, Jim Brown wrote:

> On 9/1/2012 5:58 PM, Bill Frantz wrote:
>> Thanks for telling us about this "feature".
>
> Psychoacoustics is the study of the human perception of sound, and its
> practitioners are a part of the Acoustical Society of America, of which
> I am a member. The discipline is quite well developed, and what these
> folks had learned as early as 1850 formed the basis of modern stereo
> sound recording and reproduction.  One of the earliest scientists was
> Joseph Henry, inventor of voltmeters and motors, whose name is on the
> unit of inductance.
>
> Sound system professionals have had to deal with electrical delay
> resulting from digital signal processing (called "latency") since the
> early '90s, when DSP came into widespread use in large sound systems,
> and with acoustic delay that results from "time of flight" of sound from
> live musicians on stage and big loudspeaker systems at considerable
> distance (and height) from the musicians. Indeed, managing these delays
> is a critical part of sound system design, especially in large spaces
> and venues.
>
> When listening to a reproduction of our own voice, the human ear/brain
> can tolerate delays up to about 60msec, but begins having fatigue with
> much more than about 50 msec, and begins having serious trouble speaking
> with a delay more than about 80-90 msec.  As a pro audio engineer doing
> a LOT of live sound, I've seen VERY experienced announcers turn to silly
> putty with 100 msec.  Musicians start having issues with tempo with
> delays much more than 30-40 msec, which is why stage monitors have to be
> so bloody loud!
>
> A common real world example is a "star" singing the Anthem at home
> plate, with an acoustic delay of 120-150 msec through the sound system
> to the singer's ears.  The solution is simple -- we give the singer
> undelayed sound from his/her mic into headphones or a big monitor
> speaker directly in front of them.
>
> I don't know of any studies relating to delays and our ability to send CW.
>
> 73, Jim K9YC
> ______________________________________________________________
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Re: PsychoAcoustics and Delay

Jim Brown-10
In reply to this post by Jim Brown-10
Hi George,

Great to hear from you.   Henry was mondo cool.  A google search will
turn up lots of interesting stuff.  For the last couple of decades of
his life he was the chief scientist for our country, founding director
of the Smithsonian. The entire US government closed down the day he died
and again for his funeral. I learned a lot about him when I did the
research to cite him has a reference for an AES paper I was writing  on
stereo soud reinforcement around 2000, and invited an historian who
concentrated on his work to speak to our AES section soon after.  One of
the things he was asked to weigh in on had to do with the physics of
propagation of sound from foghorns. Big deal back then, there were
multiple theories advanced, instrumentation to resolve the issue would
not exist for at least 100 years, and he publicly put his money on the
right horse.  His work on the perception of sound and delay that formed
the basis of stereo was published in 1850, and it was quite solid.  
There are multiple volumes of his scientific writing. I found them in
the Northwestern University library.

73, Jim K9YC

On 9/1/2012 9:38 PM, [hidden email] wrote:

> Hi Jim,
>
>> One of the earliest scientists was
>> Joseph Henry, inventor of voltmeters and motors, whose name is on
>> the unit of inductance.
> We measure inductance in "Josephs"?  8-)
>  
> Sorry... that's one of my favorite word games.
>
> 73,
>
> George T Daughters, K6GT
> CU in the California QSO Party (CQP)
> October 6-7, 2012
>
>
>
> -----
> No virus found in this message.
> Checked by AVG - www.avg.com
> Version: 2012.0.2179 / Virus Database: 2437/5104 - Release Date: 07/01/12
> Internal Virus Database is out of date.
>
>

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Re: PsychoAcoustics and Delay

Nick Kennedy
In reply to this post by Jim Brown-10
Back in the 70s I had a three head reel to reel tape recorder.  The
separate record and playback heads allowed you to monitor what you'd
just put on the tape, but a fraction of a second later.  We discovered
that we could have great fun with this ... put headphones on the victim,
turned up fairly loud, and challenge him to recite something simple into
the microphone such as the nursery rhyme "Mary Had A Little Lamb".  Of
course, no one could do it and the sputtering and looks of astonishment
were hilarious.  This works even better after a few beers.

73-

Nick, WA5BDU
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Re: PsychoAcoustics and Delay

k6dgw
In reply to this post by Joe Subich, W4TV-4
On 9/1/2012 10:43 PM, Joe Subich, W4TV wrote:

> Empirically the issue starts to become noticeable when the delay is
> more than an element (dit/dah) and certainly becomes critical when
> the delay is a substantial part of a letter.

Yep, actually one dit time delay [or even close to it] is really
annoying.  The coastal marine stations in the 50's supplied sidetone
while sending.  I don't know where or how ours was generated, but it had
a perceptible delay at 18 WPM [our "speed limit" when in traffic].
Since we had multiple receivers at each position, everyone got their
sidetone by listening to our transmitted signal.  Somehow, we managed to
key the transmitters multiple miles away with no noticeable delay.  I
never got to the TX site so I don't know how they did it.

73,

Fred K6DGW
- Northern California Contest Club
- CU in the 2012 Cal QSO Party 6-7 Oct 2012
- www.cqp.org


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Re: PsychoAcoustics and Delay

Jim Brown-10
On 9/2/2012 9:51 AM, Fred Jensen wrote:
> Somehow, we managed to
> key the transmitters multiple miles away with no noticeable delay.  I
> never got to the TX site so I don't know how they did it.

A few years ago I visited both TX and RX sites for KPH, the coast
station north of San Francisco, along with W3DQ, K3NA, and W0YK. The
sites were something on the order of 20 miles apart, and the connection
was an ordinary telephone line, everything analog, so no delay. The two
sites could operate simultaneously on as many frequencies as they had
operating positions. CW was simply translated to audio tones, a
different frequency for each transmitter, and the output of tone
decoders was amplified, rectified, and used to drive relays that keyed
the TX. The line was (and still is) a dedicated line, so it does not go
through the telephone switching network, so the only delay is the speed
of light over that 20-30 miles plus the relay pull-in time.

I don't recall how they said the operators were monitoring their own
keying.  K3NA had a new 2nd Class Telegraph license, so he operated a
bit and got it endorsed.  The rest of us watched.

KPH is maintained by volunteers and is available for tours at scheduled
times. It's well worth the time.

73, Jim K9YC
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Re: PsychoAcoustics and Delay

Jessie Oberreuter-2
In reply to this post by Jim Brown-10

On Sat, 1 Sep 2012, Jim Brown wrote:

> A common real world example is a "star" singing the Anthem at home
> plate, with an acoustic delay of 120-150 msec through the sound system
> to the singer's ears.  The solution is simple -- we give the singer
> undelayed sound from his/her mic into headphones or a big monitor
> speaker directly in front of them.

      The first time I was preparing to sing the national anthem for a
large stadium (around 1990), my vocal coach simply echoed me so I could
get used to it :).  I still deal with it from time to time on the phone,
where it really drives me nuts, but sometimes you just have to live with
it. -kb7psg
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